Do My Knees Look Like a Dick?: Antony Gormley
In the world of contemporary art, few works have generated as much controversy and debate as Antony Gormley's sculptures, often described as phallic in nature. Alert, a nearly 20-ft work of art created for the Imperial College London as a commissioned gift from an alumnus and his wife, is no different
Gormley's statue, Alert, was inspired by the human form and, per the Imperial College London’s website, “…asks us to reassess the relation between the body and space.” It is made from steel, which will change color overtime, and can be described as an abstracted version of a human form that is kneeling. However, some critiques of the work say the “knees” don’t look like knees, and they actually look like an erect penis is jutting out of the human form.
Background and Intention of the Artwork
The decision to install Alert in a public space was not made lightly. Antony Gormley, known for his provocative and thought-provoking sculptures exploring the human form and its relationship to space, intended the statue to serve as a commentary on masculinity, power, and societal norms. By presenting a familiar yet exaggerated form in a public setting, Gormley sought to challenge viewers' perceptions and provoke questions.
In interviews, Gormley has stated that he intended "The Shaft" to be a symbol of potency, vitality, and assertiveness – qualities traditionally associated with masculinity. However, he also acknowledged that the statue's phallic imagery could be interpreted in various ways, depending on the viewer's perspective and cultural background. For some, the sculpture evokes feelings of discomfort, embarrassment, or even offense, while others may see it as a bold and audacious statement challenging societal taboos.
Community Reaction and Controversy
Despite Antony Gormley's artistic intentions, "The Shaft" has faced considerable backlash from the local community and beyond. Critics have accused the sculpture of being crude, vulgar, and inappropriate for public display, particularly in a space frequented by families and children. Some residents have voiced concerns about the statue's impact on the neighborhood's aesthetic appeal and reputation, fearing that it could deter visitors or even lower property values.
Additionally, the phallic nature of the sculpture has sparked debates about censorship, freedom of expression, and the boundaries of public art. While some argue that artists should have the freedom to explore controversial themes and imagery, others believe that certain subjects – particularly those of a sexual nature – should be kept out of public view, especially in spaces accessible to children and families.
Current Status of the Statue
As of [current date], "The Shaft" remains a source of contention and debate within the community where it is installed. Despite calls for its removal or relocation, the sculpture continues to stand in its original location, serving as a focal point for discussions about art, censorship, and public space. Antony Gormley, for his part, has defended the sculpture as a legitimate work of art, challenging viewers to confront their preconceptions and engage with uncomfortable truths about gender, sexuality, and society.
In conclusion, Antony Gormley's phallic statue stands as a testament to the power of art to provoke, challenge, and inspire dialogue. While its presence may be controversial, there is no denying the impact that "The Shaft" has had on the community and the broader art world. Whether viewed as a bold statement of artistic freedom or an offensive eyesore, one thing is certain: Antony Gormley's phallic statue has left an indelible mark on the landscape of contemporary art.
